Between 30 Rock, Workaholics and Archer, Chris Parnell is pretty much a guest-spot as a merman on The Vampire Diaries away from having his finger in every pie on television. But what if he wasn't on TV? It's a chilling thought, but that's just one of the topics raised by Kurt Braunohler in this exclusive video interview with the cast and creator of Archer from The New York Comedy Festival.

Yesterday, we were happy to report that South Park will be around to torment our square relatives for at least another five years. And last night's season finale marked the culmination of nearly 15 years' worth of offensive, knee-slapping hilarity (yes, 15, for those who've watched it from its inception–go take your Geritol now). Throw in Book of Mormon's nine Tonys and you can see why Trey Parker and Matt Stone are among Esquire's 2011 Americans of the year.

The duo sat down with the magazine for a candid interview that touches on their mutually shared distaste for familiar subjects of South Park mockery ranging from Scientology to Sean Penn. On giving interviews:

"We didn't do press for a long time," said Parker recently, sitting on a couch on the seventh floor of MTV's New York headquarters. "We were able to ride on the South Park thing. Then we had to do a big press push for The Book of Mormon. And for some reason, we're doing press again and it's really starting to piss me off. Right now."

I don't like talking to the press, either! I hate it, in fact. I've canceled all my interviews henceforth. This has freed up approximately no hours of my not-busy schedule to concentrate on my interests: namely Scientology and Sean Penn. I guess I will not be writing for South Park anytime soon. Shit.

You can read the full interview here. And in case you missed it, you can watch last night's season 15 South Park finale here.

Author, Daily Show correspondent and self-made millionaire John Hodgman stopped by the Wall Street Journal's entertainment mag Speakeasy for an in-studio interview to correspond with the release of his latest book, That Is All, which you should buy immediately. This final installment of Hodgman's trilogy of Complete World Knowledge will come in handy when the world ends next December. Here's the clip:

The currency exchange rate for U.S. dollars to beef jerky dollars is only going to fall farther out of favor, so it's best not to wait to buy. Speaking of money, I guess pending the return of the Ancient and Unspeakable Gods to drown the world in blood, I should probably stop paying the bill for my Bowlercize class.

The Daily Show airs Monday through Thursday at 11/10c.

Michael Ian Black is a very busy man. He co-hosts Mike and Tom Eat Snacks. He's promoting his recent stand-up special Very Famous. He's releasing two separate books, one of them co-written by Meghan McCain. He's also currently taking his Black Is White tour across the country including a stop by the New York Comedy Festival to perform at the Bowery Ballroom on November 11.

We asked him some questions about his multiple projects, his views on stand-up comedy and the current status of the Wet Hot American Summer sequel.

When I was getting ready for this interview, I was looking over your projects and you have to be one of the most prolific comedians. You've done everything: sketch, TV, movies, commercials, books, children's books, podcasts, Twitter. Do you have different approaches to being funny in all these different forms?

It's more or less the same although certain things have certain focuses. Stand-up is innately a little different than working with Stella for example. Writing a children's book is obviously different than sucking a cock for Stella. But it's all coming from the same place, which is just trying to mine my own brain.

Do you have different techniques for writing for these different forms?

It's not very different at all. There's no real difference between any of it, other than sometimes I use Microsoft Word 2004 and sometimes Microsoft Word 2008.

You mentioned stand-up is different. Why is that?

Because it tends to be a little more personal and more character based. Almost by definition. It's a more personal medium. Where as sketch really isn't. My stand-up has been moving to more personal over the last year and a half.

I can see that from your album (I Am a Wonderful Man) to your new special (Very Famous). What inspired that transition?

Boredom and the desire to be an extension of myself. I've spent the last fifteen or twenty years doing a lot of absurd, silly stuff, which I still love. But there just came up a point for myself where I felt like I needed to work a new avenue, take my comedy in a different direction and the result is the work I'm doing and also the new book I just wrote.

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If I had to name my three favorite things on this entire earth, it'd probably be donuts, Dr. Spaceman from 30 Rock and R&B slow jams. Which is to say, this video is one Keith Sweat song away from being the Citizen Kane of Tina Fey interviews.

If you ask me, Occupy Wall Street would easily double their public support if they made a Dr. Spaceman feature film their top demand. Get on it, hippies!

Back-to-back episodes of 30 Rock air weeknights at 7/6c.

With Patton Oswalt's new album Finest Hour arriving in ears near your face just yesterday, you're probably wondering how someone managed to pack so much funny into such a small amount of time and space.

There are two ways you can figure this out. The first would be to solve how digital sound technology works, but that would involve a lot of complicated science and possibly some magic. The second, more reasonable way, would be to take advice from the man himself.

If you've been following Patton Oswalt's interviews, you know he's incredibly sharp witted and has a lot of fresh insight into the comedy world and the world itself. So, when he repeats something in multiple interviews, you know it's gotta be important.

In his interview with Pop Matters, very much like in his interview with Laughspin, Oswalt shared this golden tidbit of advice on how to bring your comedy game up to par:

Go on stage a lot. That’s the only advice, that’s the only advice that works. Any other piece of advice is a waste of your time and is useless. The only advice you need is to go on stage a lot. It’s the answer to everything, it really is. I wish there was something more exotic to say, but that really is the thing to say. Whenever I say that to people and I see them just go “Oh, I get it!”, then they have a chance. But if they follow up with, “Yeah, but like what’s a thing that I …”—and that person’s not going to make it. They’re looking for tricks and shortcuts and when you’ve been at it as long as I’ve had, and I look back at everything that’s helped me, the only thing that really helped me was going on stage a lot.

So if you're reading this post, you're already on your way to success. That is, if you're reading this post on a stage. While performing stand-up comedy. Keep up the good work!

Patton Oswalt's Finest Hour is now available through Comedy Central Records.

(Photo by Dimitrios Kambouris/Getty Images for IFP)

With the premiere of The Comedy Central Roast of Charlie Sheen just on the other side of the weekend, Charlie is out promoting the hell out of the big show. Last night he stopped by The Tonight Show to discuss it, and this morning he was on The Today Show. As soon as he appears on The Yesterday Show, The Tomorrow Show and The Mid-Afternoon Show, I'll be sure to post the videos, but in the meantime, here he is with Jay Leno:

The second half of the Tonight Show interview can be found below along with Matt Lauer's interview with Charlie from The Today Show.

The Comedy Central Roast of Charlie Sheen premieres Monday at 10/9c.

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If comedians are the new rock stars, there is probably no comic more up to the task than British comedian and actor Bill Bailey.

Anglophile comedy fans may have seen him on the sitcom Black Books — where he played Manny (what he calls "an enhanced version" of himself), the foil to the misanthropic, alcoholic used bookstore owner Bernard Black played by Dylan Moran — or on Never Mind the Buzzcocks, the British music/comedy show that became, in his words, "a harsh, sarcastic scourge of the music industry."

But he's best known for his stand-up, predominantly masterful music-driven performances that he says are reliant mainly on juxtaposition, noting that he has been referred to previously as "The Jedi of Juxtaposition." (For the music geek, his performance of German electronic music pioneers Kraftwerk's version of the "Hokey Cokey" is essential viewing.)

Despite selling out enormodomes such as Wembley Arena in London and the O2 in Dublin, as well as performing at Bonnaroo this past June, he creates the material to work in venues of any size — he began touring his current show, Dandelion Mind, in smaller venues throughout the Highlands of Scotland.

And though you may not see him playing "Dueling Sitars" with a full Indian orchestra, his live shows in New York, Chicago, Toronto and Boston over the next week will include films, Middle Eastern instruments, Japanese technical gizmos, and of course, his one-of-a-kind takes on popular music and more.

Have you been doing music-related routines since you started?
Yeah, pretty much. I started out using a guitar, because it's a lot more portable than a keyboard. Then I used a piano for the first time in the Edinburgh Festival. And that was a bit of a revelation. Suddenly that opened up a lot of other opportunities and options in terms of what kind of music you could pastiche or use as comedy.

Have you noticed a lot of other musical comedy acts coming up over the last 15 or 20 years?
Sure. When I started it was deemed to be very uncool. It would seem to be, like, "Oh, you're just like a prop comic, with a keyboard…" And I was always very hurt by that because I thought, well, it's more than that. I'm not just coming on with an inflatable chicken or something. You have to know how to play this — you can't just bring it on and expect comedy to ensue. But I doggedly stuck to the task as it were. And now, of course, it's cool again. So I feel vindicated.

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NPR interviewed Wyatt Cenac about his new stand-up special Comedy Person, which is now available on DVD and CD. And it was a good interview with well thought out questions and answers, but the true highlight of the interview was the moment Wyatt read from an All Things Considered script as Bill Cosby.

It made me realize how much I wish public radio was just people doing dueling Cosby impressions. Who could argue against federal government funding of the following shows: Now You See, Fresh Jell-O Pudding with Terry Gross; This American Jell-O Pudding, Rudy!; and my favorite Wait, Wait, Don't Tell Jell-O Pudding?

After the jump, I've posted the Canadian oil Daily Show segment and the PETA bit referenced in the interview.

The Daily Show airs Monday through Thursday at 11/10c. Wyatt Cenac: Comedy Person is available now.

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If you haven't heard, Michael Ian Black is extremely famous. Of course, it would be sort of surprising that you didn't already know that considering he had a live chat with Jokes.com, he's hosting #SnarkWeek, and he's premiering his new special, Michael Ian Black: Very Famous, this Saturday.

Clearly, the man is famous. LaughSpin sat down with the comedic giant to talk about his fame:

I think I find it very funny to self-mythologize, and inappropriately self-mythologize. I find grandiosity funny and I find a level of mediocre fame kind of funny. One of the most annoying questions I will get sometimes from people who maybe recognize me, is ‘are you famous?’ And that has always struck me as a very funny question, because obviously if you have to ask someone if they’re famous then clearly they’re not. And I fall in the camp of ‘clearly he isn’t.’ There’s something funny to me about sort of inflating myself and saying ‘clearly, I am.’ And if you have to say you are, if you have to say ‘Michael Ian Black: Very Famous,’ then clearly you’re not very famous at all.

Could this man be anymore humble? Or famous? Check out the rest of the interview here, read another interview he did with Vulture here, and bask in the glorious fame by tuning in to Michael Ian Black: Very Famous tomorrow at 11/10c.