Despite taking home the awards for Record of the Year, Song of the Year, Album of the Year, Best Zydeco Recording, Best Hidden Track, Wax Cylinder of the Year, Best Spoken Word Electronic Klezmer Recording and a whole slew of others at last night's Grammy's, Adele somehow managed to not win the Best Comedy Album. No, instead that one went to Louis CK, who won for his Comedy Central Records release Hilarious. A big congratulations to Louis and all the other nominees!

January is almost over. Winter is halfway through and change is in the air. People were born and people died. Flowers wilted and seedlings sprouted. Girls became women and boys became men. Boyz II Men changed their names to Men II Old Guyz. I finally got my period. And the final week of voting for Comedy Central's Stand-Up Month came to an end.

Here are the winners, along with the times their specials will air tonight:

Amy Schumer: 9/8c

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Voting is at the heart of America's democracy. And that heart is a withering, decaying muscle, barely able to pump blood to its feeble limbs. On the other hand, no it's not. Voting is great, and America is great! Sorry, I get schizophrenic when I have to make tough decisions. I'm trying to choose which comedians to Watch, Like and Follow in order to vote for them in this week's Stand-Up Month competition. The winners will have their specials air this Friday starting at 9/8c.

This week, you can choose between Patton Oswalt, Louis CK, Paul F. Tompkins, Pete Holmes, Anthony Jeselnik, Amy Schumer, Julian McCullough, Sheng Wang and Kristen Schaal. Here's one of my favorite clips from Patton…

It's like Sophie's Choice if I actually knew what Sophie's Choice was about. It's about World War II or something, right?

For more stand-up, don't miss the premiere of John Mulaney: New In Town Saturday at 10/9c.

This year, I wanted to get you the traditional Twelve Days of Christmas gifts, but I ran into a little trouble. It turns out it's not yet technologically possible to transmit French hens and leaping lords electronically via blog. Get on it, science! Bottom line, I had to go with plan-B, which is a collection of twelve Christmas-themed stand-up clips. You wouldn't even know how to cook turtle doves anyway.

Jim Gaffigan

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by Mike Henneberger

Recently, I was lucky enough to catch Patton Oswalt when he dropped in at the SoHo Apple store in New York. The in-store appearance was for the Meet the Filmmaker/Meet the Actor podcast and is now available for free on iTunes. Patton sat down with The Daily Show contributor John Hodgman to discuss acting, comedy and Patton's performance alongside Charlize Theron in their new film Young Adult.

"The first 15 minutes of the movie have all of the same rhythms that you guys are very familiar with of romantics comedies," said Patton. "And just like Takashi Miike's Audition, it takes the craziest right turn into dark mental illness."

Patton describes his character in the film as "Jiminy Cricket with a drinking problem" and goes on to compare his acting preparation to Theron’s, who put on weight for her Academy Award-winning performance in Monster: "I put on 40 pounds for this movie 20 years before Diablo [Cody] wrote it."

Speaking of Patton's "performance" with Charlize Theron, the topic of their sex scene in the film, um, came up.

"I basically had to have a love scene with Charlize Theron. I know it sounds great on paper, but once you start doing it you realize: Oh, I, built the way I am, am going to be naked next to Charlize Theron, built the way she is. So I'm naked next to one of the most physically perfect women on the planet. There's no way that I could do this scene with John Goodman or Michael Moore?"

After a little speculation from John about the success of this film, the two discussed what may lie ahead in Patton’s film career future.

"All my acting jobs have been these insanely lucky accidents at this point. I don’t have any real autonomy. I might get a little autonomy after this film for a window of two weeks. I'll try to use it wisely. But I'm sure I'll, you know, I'll sign on to Gnip Gnop: The Movie or something like that. I'm sure I'll make some horrible mistake."

With Gnip Gnop scratched off the list, John and Patton pitched some great ideas for a Barney Miller movie, a Cocoon prequel (Hodgman as a young Wilford Brimley), and Ghostbusters 3 (Kristen Schaal as the black Ghostbuster). Will we ever see these brilliant gems on the big screen? Let's just say Patton didn't say no. Let the internet rumors begin!

"I'm in this business for two reasons," Oswalt explained. "The money and the anecdotes. So I either want to be in the best films possible, and if I can't be in those then I want to be in the absolute worst films, because I want the stories. To me doing Ratatouille was just as valuable as doing Blade Trinity."

Before the night was over, I got a chance to ask Patton about his recent Grammy nomination for Patton Oswalt: Finest Hour.

"I heard about it through a text. Boy, that sounds like a bad Jim Croce song, doesn’t it? If Jim Croce lived he would’ve wrote 'I Heard About It Through a Text.'"

He went on to talk about his friendly Grammy rivalry with Weird Al that started in 2009 when both were nominated, and weighed in on who he thinks should win this time.

"I don’t believe in false modesty. I think I put out a very good album, but if I were to pick the Grammys, I would absolutely give it to Louis C.K. Absolutely, that album is so good."

You can download Meet The Actor: Patton Oswalt on iTunes for free to hear the whole conversation. And while you’re at it, check out the Grammy goodness on Patton Oswalt: Finest Hour, Louis C.K.: Hilarious, "Weird Al" Yankovic's Alpocalypse.

To promote his new special, which he is selling for five dollars on his website, Louis CK went on Reddit and answered fan questions for a good chunk of the afternoon. The whole thing is still online, and it's great.

One of his comments stuck out as particularly interesting. When asked if he'd consider writing and directing a movie, Louis wrote [one big "sic" to all of it]…

I would love yo make more movies. That is a FUCKING HARD JOB though, dude. Just to get it made. You can't even do anything else while you're tyring to get it made and then you probably won't. It's heart breaking. Then it takes a good 2 years to make and finish the movie then it maybe won't come out and then maybe it gets changed and worse than the movie not getting made, you made it, then it got changed into something you hated and then came out…

I have a dream, though. You want to hear it? Yeah? Well, okay.

I thought about what if I make another special like this one and i put it up for 5 bucks again and it goes gangbusters. It makes, say, 8 million bucks. I don't know that that is even possible. I'm trying to find out what the potential is with this one.

But so if I make 8 million, which all goes through paypal right into Pig Newton, my company that makes my show and made the special. Well I would leave the money in there and make a fucking movie…

Pretty exciting! Who doesn't want to see a new movie directed, written and probably edited by one of the most best comics alive?

Go read the whole thread! If you haven't bought Louis CK's new special Louis CK: Live at the Beacon Theater, do so immediately. Also, his last (Grammy nominated!) special, Hilarious is available on CD and DVD. As well as on iTunes as an album or a movie.

Comedy Central Records had a great year in 2011. But of course I think that; I get paid to. I'd say 1911 was a great year for Comedy Central Records if I thought there was a shiny nickel in it for me. On the other hand, the esteemed crew of The Onion AV Club doesn't rely on Comedy Central for food and shelter, and they still named a whopping seven Comedy Central Records releases to their list of The Best Comedy Albums of 2011.

You can read the full list here, which also includes three excellent non-Comedy Central albums. But first, why not sample each of the seven albums for yourself?

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by Mike Henneberger

I was pretty flattered when I got my copy of the GQ’s "Men of the Year" issue in the mail this month and saw my name on the cover. Of course my friends were jealous—saying things like, "You're crazy," and "That's the address label." On this version of the cover, slightly above my name and address, a very dapper Jay-Z stands next to the words "The King" right above his name. And to his right there is a long list of jesters that made the list this "Year of The High-Bro… when bro culture went highbrow." Inside you can accompany Aziz Ansari around Japan, Tina Fey talks about how great Steve Carell is, and comic legend Joan Rivers writes about Louis C.K.:

"Louis says stuff onstage that nobody else is saying—that's what makes a star. He's fearless and he hates a lot of things that deserve to be hated."

Meanwhile, Jon Stewart makes an appearance to write his accolades for South Park and Book of Mormon creators Matt Stone and Trey Parker:

"When you witness a work of such quality—and this is coming from someone who traffics in their field—there is only one thing to say, and I cannot say it emphatically enough: Fuck those guys."

Read more at GQ. And after the jump, you can watch Matt and Trey chatting with Jon on The Daily Show.

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This year's Grammy nominations were announced today, and in addition to The Book of Mormon's no-brainer nod for Best Musical Theater Album, two Comedy Central Records releases were nominated in the Best Comedy Album category: Patton Oswalt: Finest Hour and Louis CK: Hilarious. It's just like during the Civil War when brothers from border states would find themselves fighting on opposite sides, except with nicer gift baskets.

After the jump, you can listen to a clip from Finest Hour and watch Patton, Louis and Matt Stone & Trey Parker's most recent Daily Show appearances.

Congrats to all of the nominees!

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In this world you can be certain of three three things: death, low taxes for the 1% and great stand-up from Louis C.K. Lucky for me and a sold out crowd at the New York Comedy Festival last night, we were able to experience one of these things.

People were still taking their seats as Louis C.K. strode out on stage saying, "Fuck it, I'm not waiting for you. Let's just start." The hour-and-a-half that followed was a combination of flawless stand-up and a lot of jerking off motions. Louis C.K. launched into his feelings on Clifford the Big Red Dog, the boredom of parenthood and the "deep grown-up hatred" he feels for a boy in his daughter's class.

Watching Louis C.K. live is something that everyone must put on their bucket lists. Unfortunately, the rest of his New York Comedy Festival shows are sold out. Beg, borrow, steal, sleep with whoever you have to, in order to see Louis C.K. in person.

The New York Comedy Festival continues through the weekend, and tickets are still available to some shows. Follow @jokesdotcom and @nycomedyfest on Twitter using the #NYCF hashtag to keep up, dudes.